RUBY-CROWNED KINGLET.
(Regulus calendula.)

"What wondrous power from heaven upon thee wrought?
What prisoned Ariel within thee broods?"
— Celia Thaxter.

"Thou singest as if the God of Wine
Had helped thee to a valentine;
A song in mockery and despite
Of shades and dews and silent night,
And steady bliss and all the loves
Now sleeping in these peaceful groves."
— Wordsworth.


Like a bee with its honey, when the Ruby-crown has unloaded his vocal sweetness, there is comparatively little left of him, and, ebullient with an energy that would otherwise rend him, his incredible vocal achievement is the safety valve that has so far preserved his atoms in their Avian semblance.

Dr. Coues says that his lower larynx, the sound-producing organ, is not much bigger than a good-sized pin's head, and the muscles that move it are almost microscopic shreds of flesh. "If the strength of the human voice were in the same proportion to the size of the larynx, we could converse with ease at a distance of a mile or more."

"The Kinglet's exquisite vocalization," he continues, "defies description; we can only speak in general terms of the power, purity and volume of the notes, their faultless modulation and long continuance. Many doubtless, have listened to this music without suspecting that the author was the diminutive Ruby-crown, with whose commonplace utterance, the slender, wiry 'tsip,' they were already familiar. This delightful role, of musician, is chiefly executed during the mating season, and the brief period of exaltation which precedes it. It is consequently seldom heard in regions where the bird does not rear its young, except when the little performer breaks forth in song on nearing its summer resorts."

     

When Rev. J. H. Langille heard his first Regulus calendula, he said, "The song came from out of a thick clump of thorns, and was so loud and spirited that I was led to expect a bird at least as large as a thrush. Chee-oo, chee-oo, chee-oo, choo, choo, tseet, tseet, te-tseet, te-tseet, te-tseet, etc., may represent this wonderful melody, the first notes being strongly palatal and somewhat aspirated, the latter slender and sibilant and more rapidly uttered; the first part being also so full and animated as to make one think of the water-thrush, or the winter wren; while the last part sounded like a succedant song from a slender-voiced warbler. Could all this come from the throat of this tiny, four-inch Sylvia? I was obliged to believe my own eyes, for I saw the bird many times in the act of singing. The melody was such as to mark the day on which I heard it."

H. D. Minot says, "In autumn and winter their only note is a feeble lisp. In spring, besides occasionally uttering an indescribable querulous sound, and a harsh, 'grating' note, which belongs exclusively to that season, the Ruby-crowned wrens sing extremely well and louder than such small birds seem capable of singing. Their song begins with a few clear whistles, followed by a short, very sweet, and complicated warble, and ending with notes like the syllables tu-we-we, tu-we-we, tu-we-we. These latter are often repeated separately, as if the birds had no time for a prelude, or are sometimes prefaced by merely a few rather shrill notes with a rising inflection."


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